问题描述：
英文翻译:《功夫精深》最新专访甄子丹（03年5月20日）
【一】
A Yen For Success
Interview conducted by Mike Leeder
Obviously, Horace Greeley didn’t know everything. Donnie Yen, son of the famous Bow Sim-Mark, went East to get out of the house and found a permanent home in Hong Kong cinema.
Donnie Yen, son of legendary Boston wushu teacher Bow Sim Mark, first came to my attention when he graced the cover of Inside Kung-Fu as 1982’s “Wushu Performer of the Year”. He then burst onto the jade screen in the kung-fu comedy Drunken Tai Chi. The film was enjoyable, and in much the same vein as Jackie Chan’s early output.
This wasn’t surprising, considering so many of the same crew were involved. He followed it up with (of all things!) a break-dancing kung-fu movie, before taking a hiatus from the screen. A few years later, he burst back onto the screen in a big way in the modern-day classic Tiger Cage. Since then he’s starred and choreographed in a string of Hong Kong action classics, including Tiger Cage 2, Iron Monkey and Once Upon A Time In China 2 (with Jet Lee and Tsui Hark).
Donnie takes flight in his directorial debut film, Legend of the Wolf.
He’s reworked Bruce Lee’s classic Fist of Fury/The Chinese Connection into a 30-hour mini series. Along with being actor, action choreographer, and occasionally even title-track singer on his projects, he recently turned director for Legend of The Wolf and Ballistic Kiss. Yen now looks set to make the cross-over into the international market with a couple of high-profile projects, including one as second-unit director on Steven Seagal’s new film.
“I’m not too proud of some of the films I’ve done, I will admit that sometimes they have been a case of take the money and run.”
【三】When my mom called me up and asked me if I wanted to go to China to study wushu, I pretty much knew that it would be the best thing for me to do. I knew that if I carried on the way I was carrying on in America at the time, I’d either end up as a gangster or I’d wind up dead. And neither of those two options really appealed to me, so I jumped at the chance to train in China.
But what’s funny is that the whole China biz was something of a misunderstanding that eventually became a reality. The two coaches had indeed invited me to go to Beijing and study,
【一】
A Yen For Success
Interview conducted by Mike Leeder
Obviously, Horace Greeley didn’t know everything. Donnie Yen, son of the famous Bow Sim-Mark, went East to get out of the house and found a permanent home in Hong Kong cinema.
Donnie Yen, son of legendary Boston wushu teacher Bow Sim Mark, first came to my attention when he graced the cover of Inside Kung-Fu as 1982’s “Wushu Performer of the Year”. He then burst onto the jade screen in the kung-fu comedy Drunken Tai Chi. The film was enjoyable, and in much the same vein as Jackie Chan’s early output.
This wasn’t surprising, considering so many of the same crew were involved. He followed it up with (of all things!) a break-dancing kung-fu movie, before taking a hiatus from the screen. A few years later, he burst back onto the screen in a big way in the modern-day classic Tiger Cage. Since then he’s starred and choreographed in a string of Hong Kong action classics, including Tiger Cage 2, Iron Monkey and Once Upon A Time In China 2 (with Jet Lee and Tsui Hark).
Donnie takes flight in his directorial debut film, Legend of the Wolf.
He’s reworked Bruce Lee’s classic Fist of Fury/The Chinese Connection into a 30-hour mini series. Along with being actor, action choreographer, and occasionally even title-track singer on his projects, he recently turned director for Legend of The Wolf and Ballistic Kiss. Yen now looks set to make the cross-over into the international market with a couple of high-profile projects, including one as second-unit director on Steven Seagal’s new film.
“I’m not too proud of some of the films I’ve done, I will admit that sometimes they have been a case of take the money and run.”
【三】When my mom called me up and asked me if I wanted to go to China to study wushu, I pretty much knew that it would be the best thing for me to do. I knew that if I carried on the way I was carrying on in America at the time, I’d either end up as a gangster or I’d wind up dead. And neither of those two options really appealed to me, so I jumped at the chance to train in China.
But what’s funny is that the whole China biz was something of a misunderstanding that eventually became a reality. The two coaches had indeed invited me to go to Beijing and study,
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